As an actor or a model, you trade in your visual appeal. Your headshot is not just for identification, it is your calling card and the best way to make a first impression. Your headshot is a way to convey your personality at a glance. Yes, people make snap judgments based on appearance and you want that to work out in your favor. Even for experienced models, it helps to get effective direction from the photographer because you can’t see yourself while you’re posing 🙂
Very often in castings, the headshot photo will determine whether or not an actor/actress/model makes the first cut.
For new talent, it is especially important for the photographer to be able to guide and direct the model. Part of growth as a model is being able to learn from photographers and to get to a point where they know their “angles”. This makes it necessary for the photographer to actually have the knowledge to pass on. Otherwise, it is a case of the blind leading the blind. For more experienced models/actors, it is a lot easier but they still need some guidance, especially if the goal of the session is to achieve a particular look.
Other considerations are the photographer’s skill at lighting especially when in comes to being able to handle indoor and outdoor locations, to make use of natural and artificial lighting and to blend them when the occasion calls for it.
It is always advisable to take a good look at the photographer’s portfolio to get an understanding of their competence with lighting, checking how much work they have had published and if they have worked with agencies. If you are looking to get your portfolio built, you want someone who has a good sense of what agents/clients look for. A phone call or in-person meeting would be a very good idea. Get in touch with me at email@example.com if you need help with this.
Creating a visual representation of your business is a great way to attract customers. With a wealth of options, how does one find the right fit? If you have the right skill set, you can, of course, decide to do the work yourself. Most people quickly discover that there is more to commercial photography than initially meets the eye. Some tips to keep in mind when one decides (or is considering) to hire a photographer.
Every situation has unique features. Even when a photographer has previously worked with a business, there will still be a need to understand differences that may arise with each new assignment. That is done by asking the right questions, by listening with an open mind and by presenting options to open up the client’s mind to the possibilities that exist for what can be delivered.
In order to showcase a business, a variety of image types and genres may be required. A variety of subjects may need to be photographed. This will, of course, depend on the nature of the particular business – subjects vary from people to products. Whatever or whoever the subjects are, they must be shown at their best. That can be done with a deep knowledge of lighting, posing and staging.
It may be difficult for someone who is not a photographer or an art critic to properly evaluate photography. Who is going to make our people, products, and business look attractive to the public? One method is to look at the ads in high-end magazines and compare their look with the look of the photographs you are evaluating. A good photographer should:
- be able to handle a variety of lighting situations
- be able to direct pose and give concise directions to the subject
- be able to work quickly and efficiently so as not to waste the client’s time
Ultimately, this is a partnership, between the representatives of your business, and the photographer, with a common goal of providing the best images to help the business to sell their goods and/or services. Contact http://www.pixyst.com for support with developing your imaging strategy.